Monday, August 24, 2009

Inglorious Basterds.....That's a Bingo!


You love him or you hate him. You get him or you don’t care to get him. Either way, when Quentin Tarantino gets to work he gives you something you have never seen before and everything you have seen before all at once. He accomplishes what others only dream of doing. He takes you to the movies.

Randall E. Auxier wrote; “ Tarintino is like a boy in a tree house. And you are invited to join the club. Yes, it’s his tree house, but all you need is the password, and he’ll give you the clues you need to get in. He doesn’t want to control you, or toy with you, he just wants to play. You already know the game. It’s just good (not so clean) fun, and time flies when your having it”.

Inglourious Basterds written and directed by Quentin Tarantino is like several other QT flicks as it is about revenge and more specifically, a woman’s revenge, a QT staple.  Emmanuelle Mimieux, the alias for the young Jewish girl who escaped Colonel Hans Landa, (Christoph Waltz), “The Jew Hunter”, after her family was massacred is out for blood…or crispy dead Nazi’s, I guess. 4 years later she is now operating a cinema in France and falls into the perfect situation to exact her revenge.

Aldo Raine, A.K.A. “Aldo the Apache” (Brad Pitt) is the leader of the Inglorious Basterds and assembles his crew of 8 Jewish American soldiers to help him in gaining 800 Nazi scalps, and that’s not just in expression, he’s taking scalps. Neither his motivation nor the scar on is neck is spoken of. We expected not to get that privileged information (see the Auxier quote above), all we need to know is Aldo is in the Nazi killin’ business….and cousin….well, you know what.

If not for “The Jew Hunter”, "Aldo the Apache" would have stolen the show. Instead, we are treated with two amazing performances and oddly enough, they both left me with a busted gut. I wasn’t prepared for how funny they would be, together, as well as on their own. Tarantino has once again created characters that are bigger than life in Aldo and Colonel Hans and once again his actors have delivered.

Two and a half hours is a long time to endure anything, so be prepared. A few scenes run a little bit too long for my taste, but don’t get discouraged. You get a lot of dialog (but you were expecting that, right? ) with a good portion of it in subtitles so rest assured you will miss something and more likely than not these little things will help IB to grow on you in subsequent visits. Aside from that, the only other down side to things is Eli Roth, “The Bear Jew”. “The Bear Jew” is definitely a bigger than life character, wielding a Louisville Slugger and beating the brains out of Nazis. Eli Roth, well, he directed Cabin Fever . It just wasn’t fair to any of us. 

Those two very small issues aside, Inglourious Basterds might turn out to be QT’s most famous film. In the middle of a summer filled with remakes and flops it will hold its place in people’s minds for the excitement surrounding it and the product it delivered. And who better to re-write history and get the ultimate revenge on “The Fuhrer” than QT.

My Vote: Even if you don’t think you like Tarantino, go see this film. The performances given and the final two scenes are enough to satisfy anyone.

2 comments:

  1. I'm going to try and go see this...maybe by myself, tomorrow night. I'll give my 2 cents then.

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  2. Hands down best scene: Shosana (sp?) preparing for the "big night" with David Bowie's Cat People.

    "See these eyes so green, I can stare for a thousand years, colder than the moon, it's been so long, and I've been putting out fire, with gasoline."

    At first I thought it was a great song, then started listening to the lyrics and realized how much they fit. QT rocked the house with that song selection and scene. Nice review by the way

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